Edward Lacey
Robert Howes
Raul de Sá Barbosa
João Trevisan
David William Foster
Bom-Crioulo
Adolfo Caminha’s Bom-Crioulo: The Good Black Man, first published in Brazil in 1895, is an unprecedentedly frank account of an affair between a cabin-boy and an escaped slave conscripted into the Brazilian navy, now appearing in a new translation.
Set in the last decades of the nineteenth century and published a few years after the final abolition of slavery in Brazil, Bom-Crioulo is the first Brazilian novel to deal sympathetically with male homosexuality, and one of the first with a black protagonist.
The book is a long underrecognized classic of Brazilian naturalism, bringing to life the passions of the flesh, the ruthless discipline on board a naval corvette, and the moral confusion of turn-of-the-century Rio de Janeiro — worlds haunted by the violence of slavery.
In its empathetic, non-judgmental presentation of a proscribed sexual relationship – interracial and intergenerational, Bom-Crioulo prefigures later works such as James Baldwin’s Giovanni’s Room and Vladimir Nabokov’s Lolita.